Skip to content Skip to sidebar Skip to footer
Home / Opening Night State of the Art Art of the State Cameron Art Museum 2017

Opening Night State of the Art Art of the State Cameron Art Museum 2017

Post a Comment

Coordinates: 40°45′41.eight″N 73°58′39.four″West  /  twoscore.761611°Northward 73.977611°W  / forty.761611; -73.977611

Art museum in Manhattan, New York City

Museum of Modern Art
Museum of Modern Art logo.svg
MoMa NY USA 1.jpg
Established November 7, 1929; 92 years ago  (1929-11-07)
Location xi Westward 53rd Street
Manhattan, New York City
Type Art museum
Visitors 706,060 (2020)[1]
Director Glenn D. Lowry
Public transit access Subway: Fifth Artery/53rd Street ("E" train​"M" train trains)
Bus: M1, M2, M3, M4, M5, M7, M10, M20, M50, M104
Website world wide web.moma.org

The Museum of Mod Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street betwixt Fifth and 6th Avenues.

Information technology plays a major office in developing and collecting modern art, and is often identified as 1 of the largest and virtually influential museums of modernistic art in the world.[2] MoMA'southward drove offers an overview of modern and gimmicky art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated books and artist's books, picture, and electronic media.[three]

The MoMA Library includes approximately 300,000 books and exhibition catalogs, more than than 1,000 periodical titles, and more than than xl,000 files of ephemera well-nigh individual artists and groups.[4] The athenaeum concord master source material related to the history of mod and contemporary art.[5]

Information technology attracted 706,060 visitors in 2020, a drop of threescore-five pct from 2019, due to the COVID-19 pandemic. It ranked twenty-fifth on the list of most visited fine art museums in the world in 2020.[half dozen]

History [edit]

Heckscher and other buildings (1929–1939) [edit]

The idea for the Museum of Modernistic Art was adult in 1929 primarily by Abby Aldrich Rockefeller (wife of John D. Rockefeller, Jr.) and two of her friends, Lillie P. Bliss and Mary Quinn Sullivan.[7] They became known variously as "the Ladies" or "the adamantine ladies".[eight] [9] They rented small-scale quarters for the new museum in the Heckscher Building at 730 Fifth Artery in Manhattan,[8] and information technology opened to the public on Nov seven, 1929, nine days after the Wall Street Crash.[10] Abby Rockefeller had invited A. Conger Goodyear, the erstwhile president of the lath of trustees of the Albright Fine art Gallery in Buffalo, New York, to become president of the new museum. Abby became treasurer. At the fourth dimension, it was America's premier museum devoted exclusively to mod art, and the first of its kind in Manhattan to exhibit European modernism.[eleven] One of Rockefeller'due south early on recruits for the museum staff was the noted Japanese-American photographer Soichi Sunami (at that time best known for his portraits of mod trip the light fantastic toe pioneer Martha Graham), who served the museum as its official documentary photographer from 1930 until 1968.[12] [xiii]

Goodyear enlisted Paul J. Sachs and Frank Crowninshield to join him as founding trustees. Sachs, the associate director and curator of prints and drawings at the Fogg Museum at Harvard University, was referred to in those days every bit a "collector of curators". Goodyear asked him to recommend a director and Sachs suggested Alfred H. Barr, Jr., a promising young protégé. Under Barr's guidance, the museum's holdings rapidly expanded from an initial gift of eight prints and one drawing. Its first successful loan exhibition was in November 1929, displaying paintings by Van Gogh, Gauguin, Cézanne, and Seurat.[14]

First housed in six rooms of galleries and offices on the twelfth flooring of Manhattan's Heckscher Building,[xv] on the corner of Fifth Avenue and 57th Street, the museum moved into three more temporary locations inside the side by side ten years. Abby Rockefeller's husband, John D. Rockefeller, Jr., was adamantly opposed to the museum (likewise as to modern fine art itself) and refused to release funds for the venture, which had to be obtained from other sources and resulted in the frequent shifts of location. All the same, he somewhen donated the country for the current site of the museum, plus other gifts over fourth dimension, and thus became in effect ane of its greatest benefactors.[sixteen]

During that time the museum initiated many more exhibitions of noted artists, such as the lone Vincent van Gogh exhibition on November 4, 1935. Containing an unprecedented lx-6 oils and fifty drawings from the Netherlands, besides as poignant excerpts from the artist'south letters, it was a major public success due to Barr's arrangement of the exhibit, and became "a precursor to the hold van Gogh has to this twenty-four hours on the contemporary imagination".[17]

53rd Street (1939–present) [edit]

1930s to 1950s [edit]

The museum also gained international prominence with the hugely successful and at present famous Picasso retrospective of 1939–40, held in conjunction with the Art Establish of Chicago. In its range of presented works, it represented a pregnant reinterpretation of Picasso for future art scholars and historians. This was wholly masterminded past Barr, a Picasso enthusiast, and the exhibition lionized Picasso equally the greatest artist of the fourth dimension, setting the model for all the museum'southward retrospectives that were to follow.[18] Boy Leading a Horse was briefly contested over ownership with the Solomon R. Guggenheim Museum.[19] In 1941, MoMA hosted the basis-breaking exhibition, "Indian Art of the U.s." (curated by Frederic Huntington Douglas and Rene d'Harnoncourt), that changed the way Native American arts were viewed by the public and exhibited in art museums.

The archway to The Museum of Modern Art

When Abby Rockefeller'south son Nelson was selected past the board of trustees to become its president, in 1939, at the age of xxx; he was a flamboyant leader and became the prime instigator and funding source of MoMA'southward publicity, acquisitions, and subsequent expansion into new headquarters on 53rd Street. His brother, David Rockefeller, also joined the museum's board of trustees, in 1948, and took over the presidency, when Nelson was elected Governor of New York, in 1958.

David afterward employed the noted builder Philip Johnson to redesign the museum garden and name it in accolade of his mother, the Abby Aldrich Rockefeller Sculpture Garden. He and the Rockefeller family unit in general have retained a shut association with the museum throughout its history, with the Rockefeller Brothers Fund funding the establishment since 1947. Both David Rockefeller, Jr. and Sharon Percy Rockefeller (wife of old senator Jay Rockefeller) sit on the board of trustees.[ citation needed ] After the Rockefeller Guest House at 242 East 52nd Street was completed in 1950, some MoMA functions were held in the business firm until 1964.[xx] [21]

In 1937, MoMA had shifted to offices and basement galleries in the Time-Life Edifice in Rockefeller Middle. Its permanent and current home, at present renovated, designed in the International Style past the modernist architects Philip L. Goodwin and Edward Durell Rock, opened to the public on May 10, 1939, attended by an illustrious company of half-dozen,000 people, and with an opening address via radio from the White Business firm by President Franklin D. Roosevelt.[22]

1958 burn down [edit]

On April 15, 1958, a burn on the second floor destroyed an eighteen-foot (five.v thou) long Monet Water Lilies painting (the current Monet Water Lilies was acquired shortly after the fire every bit a replacement). The fire started when workmen installing air conditioning were smoking near pigment cans, sawdust, and a sheet dropcloth. One worker was killed in the fire and several firefighters were treated for smoke inhalation. Almost of the paintings on the floor had been moved for the construction although large paintings including the Monet were left. Fine art work on the tertiary and 4th floors were evacuated to the Whitney Museum of American Fine art, which abutted it on the 54th Street side. Among the paintings that were moved was A Sunday Afternoon on the Island of La Grande Jatte, which had been on loan by the Art Institute of Chicago. Visitors and employees above the fire were evacuated to the roof and so jumped to the roof of an adjoining townhouse.[23]

1960–1982 [edit]

In 1969, the MoMA was at the heart of a controversy over its conclusion to withdraw funding from the iconic anti-war affiche And babies. In 1969, the Fine art Workers Coalition (AWC), a grouping of New York City artists who opposed the Vietnam War, in collaboration with Museum of Modern Art members Arthur Drexler and Elizabeth Shaw, created an iconic protest poster called And babies.[24] The poster uses an paradigm by photojournalist Ronald L. Haeberle and references the My Lai Massacre. The Museum of Modernistic Art (MoMA) had promised to fund and circulate the poster, but after seeing the 2 past 3 human foot poster MoMA pulled financing for the projection at the last minute.[25] [26] MoMA's Lath of Trustees included Nelson Rockefeller and William Due south. Paley (head of CBS), who reportedly "hit the ceiling" on seeing the proofs of the poster.[25] The poster was included before long thereafter in MoMA'southward Information exhibition of July 2 to September xx, 1970, curated by Kynaston McShine.[27] Another controversy involved Pablo Picasso's painting Male child Leading a Horse (1905–06), donated to MoMA by William S. Paley in 1964. The status of the work as being sold under duress by its German Jewish owners in the 1930s was in dispute. The descendants of the original owners sued MoMA and the Solomon R. Guggenheim Museum, which has another Picasso painting, Le Moulin de la Galette (1900), in one case owned past the same family, for return of the works.[28] Both museums reached a confidential settlement with the descendants before the example went to trial and retained their respective paintings.[nineteen] [29] [xxx] Both museums had claimed from the outset to be the proper owners of these paintings, and that the claims were illegitimate. In a joint statement the two museums wrote: "nosotros settled simply to avoid the costs of prolonged litigation, and to ensure the public continues to have access to these important paintings."[31]

1980–1999 [edit]

Stairs in the Museum of Modern Art

Cross-section of the Museum of Modern Fine art

In 1983, the Museum more than doubled its gallery and increased curatorial section by 30 percentage, and added an auditorium, two restaurants and a bookstore in conjunction with the construction of the 56-story Museum Belfry adjoining the museum.[32]

In 1997, the museum undertook a major renovation and expansion designed by Japanese architect Yoshio Taniguchi with Kohn Pedersen Fox. The projection, including an increase in MoMA'southward endowment to cover operating expenses, price $858 million in total. The project nearly doubled the infinite for MoMA'south exhibitions and programs and features 630,000 square feet (59,000 mtwo) of space. The Peggy and David Rockefeller Building on the western portion of the site houses the chief exhibition galleries, and The Lewis B. and Dorothy Cullman Education and Research Edifice provides infinite for classrooms, auditoriums, teacher training workshops, and the museum'due south expanded Library and Archives. These two buildings frame the Abby Aldrich Rockefeller Sculpture Garden, which was enlarged from its original configuration.

21st century [edit]

The museum was closed for two years in connection with the renovation and moved its public-facing operations to a temporary facility chosen MoMA QNS in Long Island City, Queens. When MoMA reopened in 2004, the renovation was controversial. Some critics idea that Taniguchi's design was a fine example of contemporary compages, while many others were displeased with aspects of the design, such as the menstruum of the space.[33] [34] [35] In 2005, the museum sold country that it endemic west of its existing edifice to Hines, a Texas existent estate developer, nether an agreement that reserved space on the lower levels of the building Hines planned to construct there for a MoMA expansion.[36]

In 2011, MoMA acquired an adjacent building constructed and occupied by the American Folk Art Museum on West 53rd Street. The building was a well-regarded construction designed past Tod Williams Billie Tsien Architects and was sold in connection with a financial restructuring of the Folk Art Museum.[37] When MoMA announced that it would annihilate the building in connection with its expansion, at that place was outcry and considerable give-and-take virtually the issue, but the museum ultimately proceeded with its original plans.[38]

The Hines building, designed by Jean Nouvel and called 53W53, received structure approval in 2014.[39] Effectually the time of Hines' construction approving, MoMA unveiled its expansion plans, which comprehend infinite in 53W53, every bit well as construction on the former site of the American Folk Art Museum.[40] The expansion program was adult by the architecture firm Diller Scofidio + Renfro in collaboration with Gensler. The first phase of construction began in 2014. In June 2017, patrons and the public were welcomed into MoMA to see the completion of the first phase of the $450 million expansion to the museum.[41]

Spread over iii floors of the art mecca off Fifth Artery are 15,000 square-anxiety (nearly 1,400 square-meters) of reconfigured galleries, a new, second souvenir shop, a redesigned cafe and espresso bar and, facing the sculpture garden, two lounges graced with black marble quarried in France.[41]

The museum expansion project increased the publicly accessibly space by 25% compared to when the Tanaguchi building was completed in 2004.[42] The expansion allowed for even more of the museum'southward collection of well-nigh 200,000 works to be displayed.[41] The new spaces also allow visitors to enjoy a relaxing sit-downwardly in one of the two new lounges, or even have a fully catered meal.[41] The two new lounges include "The Marlene Hess and James D. Zirin Lounge" and "The Daniel and Jane Och Lounge".[41] [43] The goal of this renovation is to help expand the collection and display of work by women, Latinos, blacks, Asians, and other marginalized communities.[44] In connection with the renovation, MoMA shifted its approach to presenting its holdings, moving away from separating the collection by disciplines such as painting, design and works on newspaper toward an integrated chronological presentation that encompasses all areas of the drove.[42]

The Museum of Modern Art airtight for another round of major renovations from June to October 2019.[44] [45] Upon reopening on October 21, 2019, MoMA added 47,000 square feet (4,400 mtwo) of gallery space,[46] and its total floor expanse was 708,000 foursquare feet (65,800 grand2).[47] The expansion and refurbishment was overseen by the architectural firm of Diller Scofidio + Renfro.[48] The institution began offer free online classes in April 2014.[49]

Exhibition houses [edit]

The MoMA occasionally has sponsored and hosted temporary exhibition houses, which have reflected seminal ideas in architectural history.

  • 1949: exhibition house by Marcel Breuer
  • 1950: exhibition business firm by Gregory Own[50]
  • 1955: Japanese Exhibition House past Junzo Yoshimura, reinstalled in Philadelphia, PA in 1957–58 and known at present equally Shofuso Japanese House and Garden
  • 2008: Prefabricated houses planned[51] [52] [53] by:
    • Kieran Timberlake Architects
    • Lawrence Sass
    • System Architects: Jeremy Edmiston and Douglas Gauthier
    • Leo Kaufmann Architects
    • Richard Horden

Artworks [edit]

Claude Monet, Reflections of Clouds on the Water-Lily Pond, c.1920

Considered past many to take the all-time collection of modern Western masterpieces in the world, MoMA's holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million picture show stills. (Access to the collection of moving picture stills ended in 2002, and the collection is mothballed in a vault in Hamlin, Pennsylvania.[54]) The collection houses such important and familiar works as the post-obit:

  • Francis Bacon, Painting (1946)
  • Umberto Boccioni, The City Rises
  • Paul Cézanne, The Bather
  • Marc Chagall, I and the Village
  • Giorgio de Chirico, The Vocal of Dear
  • Salvador Dalí, The Persistence of Retention
  • Max Ernst, 2 Children Are Threatened by a Nightingale
  • Paul Gauguin, Te aa no areois (The Seed of the Areoi)
  • Albert Gleizes, Portrait of Igor Stravinsky, 1914
  • Jasper Johns, Flag
  • Frida Kahlo, Self-Portrait With Cropped Pilus
  • Roy Lichtenstein, Drowning Girl
  • René Magritte, The Empire of Lights
  • René Magritte, False Mirror
  • Kazimir Malevich, White on White 1918
  • Henri Matisse, The Dance
  • Jean Metzinger, Landscape, 1912–1914
  • Piet Mondrian, Broadway Boogie-Woogie
  • Claude Monet, Water Lilies triptych
  • Barnett Newman, Broken Obelisk
  • Barnett Newman, Vir Heroicus Sublimis (Human, Heroic and Sublime)
  • Pablo Picasso, Les Demoiselles d'Avignon
  • Jackson Pollock, 1: Number 31, 1950
  • Henri Rousseau, The Dream, 1910
  • Henri Rousseau, The Sleeping Gypsy
  • Vincent van Gogh, The Starry Night
  • Andy Warhol, Campbell's Soup Cans
  • Andrew Wyeth, Christina's World

Selected drove highlights [edit]

Information technology also holds works past a wide range of influential European and American artists including Auguste Rodin, Henri Matisse, Pablo Picasso, Georges Braque, Joan Miró, Aristide Maillol, Piet Mondrian, Marcel Duchamp, Paul Klee, Fernand Léger, René Magritte, Henry Moore, Alberto Giacometti, Georgia O'Keeffe, Edward Hopper, Walker Evans, Dorothea Lange, Arshile Gorky, Hans Hofmann, Franz Kline, Willem de Kooning, Jackson Pollock, Mark Rothko, David Smith, Helen Frankenthaler, Morris Louis, Kenneth Noland, Robert Rauschenberg, Frank Stella, Andy Warhol, Roy Lichtenstein, and hundreds of others.

MoMA developed a earth-renowned fine art photography drove outset nether Edward Steichen (1947–1961) so under Steichen's hand-picked successor John Szarkowski (1962–1991), which included photos by Todd Webb.[55] The department was founded by Beaumont Newhall in 1940.[56] Under Szarkowski, it focused on a more traditionally modernist arroyo to the medium, i that emphasized documentary images and orthodox darkroom techniques.

Picture show [edit]

In 1932, museum founder Alfred Barr stressed the importance of introducing "the just peachy art grade peculiar to the twentieth century" to "the American public which should appreciate good films and back up them". Museum Trustee and film producer John Hay Whitney became the first chairman of the Museum'due south Film Library from 1935 to 1951. The collection Whitney assembled with the help of film curator Iris Barry was then successful that in 1937 the University of Motion Pictures Arts and Sciences commended the Museum with an accolade "for its significant work in collecting films ... and for the first time making bachelor to the public the ways of studying the historical and aesthetic development of the motion picture as one of the major arts".[57]

The first curator and founder of the Picture show Library was Iris Barry, a British film critic and author, whose iii decades of pioneering work in collecting films and presenting them in coherent creative and historical contexts gained recognition for the movie theater as the major new fine art form of our century. Barry and her successors accept congenital a collection comprising some viii thousand titles today, concentrating on assembling an outstanding collection of the important works of international film art, with emphasis existence placed on obtaining the highest-quality materials.[58]

The exiled motion-picture show scholar Siegfried Kracauer worked at the MoMA flick archive on a psychological history of German film between 1941 and 1943. The result of his written report, From Caligari to Hitler: A Psychological History of the German Film (1947), traces the nativity of Nazism from the movie house of the Weimar Republic and helped lay the foundation of modern picture criticism.

Under the Museum of Modern Art Department of Picture show, the film drove includes more than 25,000 titles and ranks as one of the earth's finest museum archives of international film art. The department owns prints of many familiar characteristic-length movies, including Citizen Kane and Vertigo, only its holdings also contains many less-traditional pieces, including Andy Warhol's eight-hour Empire, Fred Halsted's gay pornographic L.A. Plays Itself (screened before a capacity audition on April 23, 1974), various Idiot box commercials, and Chris Cunningham's music video for Björk's All Is Full of Beloved.

Library [edit]

The MoMA library is located in Midtown Manhattan, with offsite storage in Long Island Metropolis, Queens. The non-circulating collection documents mod and contemporary art including painting, sculpture, prints, photography, film, functioning, and architecture from 1880–present. The collection includes 300,000 books, 1,000 periodicals, and twoscore,000 files about artists and artistic groups. There are over eleven,000 creative person books in the collection.[59] The libraries are open by engagement to all researchers. The library's catalog is called "Dadabase".[iv] Dadabase includes records for all of the fabric in the library, including books, artist books, exhibition catalogs, special collections materials, and electronic resources.[4] The Museum of Modern Art's drove of artist books includes works by Ed Ruscha, Marcel Broodthaers, Susan Bee, Carl Andre, and David Horvitz.[lx]

Additionally, the library has subscription electronic resources along with Dadabase. These include journal databases (such as JSTOR and Art Total Text), auction results indexes (ArtFact and Artnet), the ARTstor image database, and WorldCat union catalog.[59]

Compages and design [edit]

MoMA'south Department of Architecture and Blueprint was founded in 1932[61] as the commencement museum department in the world dedicated to the intersection of architecture and design.[62] The section's first managing director was Philip Johnson who served equally curator between 1932–34 and 1946–54.[63] The next departmental head was Arthur Drexler, who was curator from 1951 to 1956 and and so served as caput until 1986.[64]

The drove consists of 28,000 works including architectural models, drawings and photographs.[61] I of the highlights of the collection is the Mies van der Rohe Annal.[62] It besides includes works from such legendary architects and designers as Frank Lloyd Wright,[65] [66] [67] [68] Paul László, the Eameses, Betty Cooke, Isamu Noguchi, and George Nelson. The pattern collection contains many industrial and manufactured pieces, ranging from a self-aligning ball bearing to an entire Bell 47D1 helicopter. In 2012, the department acquired a selection of 14 video games, the basis of an intended collection of 40 that is to range from Pac-Man (1980) to Minecraft (2011).[69]

Management [edit]

Omnipresence [edit]

MoMA attracted 706,060 visitors in 2020, a drop of sixty-five percent from 2019, due to the COVID-xix pandemic. Information technology ranked xx-fifth on the List of most visited art museums in the earth in 2020.[vi]

MoMA has seen its average number of visitors rising from nigh 1.five million a yr to 2.5 one thousand thousand after its new granite and drinking glass renovation. In 2009, the museum reported 119,000 members and 2.8 meg visitors over the previous fiscal yr. MoMA attracted its highest-e'er number of visitors, 3.09 meg, during its 2010 fiscal year;[lxx] nevertheless, attendance dropped 11 pct to ii.eight million in 2011.[71] Omnipresence in 2016 was 2.8 million, downwardly from 3.1 million in 2015.[72]

The museum was open every day since its founding in 1929, until 1975, when it closed ane twenty-four hours a week (originally Wednesdays) to reduce operating expenses. In 2012, information technology over again opened every day, including Tuesday, the one 24-hour interval it has traditionally been closed.[73]

Admission [edit]

The Museum of Mod Art charges an admission fee of $25 per adult.[74] Upon MoMA's reopening, its admission cost increased from $12 to $xx, making information technology one of the near expensive museums in the city. Still, it has free entry on Fridays afterwards 5:30pm, every bit office of the Uniqlo Complimentary Fri Nights program. Many New York area college students also receive free admission to the museum.[75]

Finances [edit]

A private non-turn a profit organization, MoMA is the seventh-largest U.S. museum past budget;[76] its annual acquirement is near $145 million (none of which is profit). In 2011, the museum reported net assets (basically, a full of all the resource it has on its books, except the value of the art) of simply over $1 billion.

Unlike most museums, the museum eschews government funding, instead subsisting on a fragmented upkeep with a one-half-dozen different sources of income, none larger than a fifth.[77] Before the economic crisis of late 2008, the MoMA'southward board of trustees decided to sell its equities in order to move into an all-greenbacks position. An $858 million capital letter campaign funded the 2002–04 expansion, with David Rockefeller donating $77 million in cash.[76] In 2005, Rockefeller pledged an additional $100 million toward the museum'southward endowment.[78] In 2011, Moody's Investors Service, a bail rating agency, rated $57 one thousand thousand worth of new debt in 2010 with a positive outlook and echoed their Aa2 bond credit rating for the underlying institution. The agency noted that MoMA has "superior fiscal flexibility with over $332 million of unrestricted financial resources", and has had solid omnipresence and record sales at its retail outlets effectually the city and online. Some of the challenges that Moody's noted were the reliance that the museum has on the tourist industry in New York for its operating revenue, and a large amount of debt. The museum at the fourth dimension had a 2.4 debt-to-operating revenues ratio, but it was too noted that MoMA intended to retire $370 million worth of debt in the next few years. Standard & Poor's raised its long-term rating for the museum every bit information technology benefited from the fundraising of its trustees.[79] After construction expenses for the new galleries are covered, the Modern estimates that some $65 million volition go to its $650 million endowment.

MoMA spent $32 million to learn fine art for the fiscal twelvemonth ending in June 2012.[80]

MoMA employed virtually 815 people in 2007.[77] The museum's taxation filings from the by few years advise a shift amongst the highest paid employees from curatorial staff to management.[81] The museum's director Glenn D. Lowry earned $1.6 million in 2009[82] and lives in a rent-free $6 million flat higher up the museum.[83]

MoMA was forced to close in March 2020 during the COVID-19 pandemic in New York City.[84] Citing the coronavirus shutdown, MoMA fired its fine art educators in April 2020.[85] In May 2020, information technology was reported that MoMA would reduce its annual upkeep from $180 to $135 million starting July 1. Exhibition and publication funding was cutting by half, and staff reduced from around 960 to 800.[84]

Cardinal people [edit]

Officers and the lath of trustees [edit]

Currently, the board of trustees includes 46 trustees and 15 life trustees. Even including the board'southward xiv "honorary" trustees, who do non have voting rights and do not play as straight a office in the museum, this amounts to an average individual contribution of more than than $seven million.[81] The Founders Wall was created in 2004, when MoMA's expansion was completed, and features the names of actual founders in addition to those who gave pregnant gifts; about a half-dozen names have been added since 2004. For case, Ileana Sonnabend's name was added in 2012, fifty-fifty though she was only 15 when the museum was established in 1929.[86]

Lath of trustees [edit]

Board of trustees:

  • Wallis Annenberg
  • Sid R. Bass
  • Lawrence B. Benenson
  • Leon D. Black
  • Clarissa Alcock Bronfman
  • Patricia Phelps de Cisneros
  • Edith Cooper
  • Paula Crown
  • David Dechman
  • Anne Dias-Griffin
  • Glenn Dubin
  • John Elkann
  • Laurence D. Fink
  • Kathleen Fuld
  • Howard Gardner
  • Mimi Haas
  • Alexandra A. Herzan
  • Marlene Hess
  • Jill Kraus
  • Marie-Josée Kravis
  • Ronald Southward. Lauder
  • Thomas H. Lee
  • Michael Lynne
  • Khalil Gibran Muhammad
  • Philip S. Niarchos
  • James G. Niven
  • Peter Norton
  • Maja Oeri
  • Michael S. Ovitz
  • David Rockefeller Jr.
  • Sharon Percy Rockefeller
  • Richard Eastward. Salomon
  • Marcus Samuelsson
  • Anna Marie Shapiro
  • Anna Deavere Smith
  • Jerry I. Speyer
  • Ricardo Steinbruch
  • Daniel Sundheim
  • Alice M. Tisch
  • Edgar Wachenheim Three
  • Gary Winnick

Directors [edit]

  • Alfred H. Barr, Jr. (1929–1943)
  • No director (1943–1949; the task was handled by the chairman of the museum's coordination committee and the director of the Curatorial Department)[87] [88]
  • Rene d'Harnoncourt (1949–1968)
  • Bates Lowry (1968–1969)
  • John Brantley Hightower (1970–1972)
  • Richard Oldenburg (1972–1995)
  • Glenn D. Lowry (1995–present)

Chief curators [edit]

  • Philip Johnson, chief curator of architecture and blueprint (1932–1934 and 1946–1954)
  • Arthur Drexler, chief curator of architecture and design (1951–1956)
  • Peter Galassi, chief curator of photography (1991–2011)[56] [89]
  • Cornelia Butler, chief curator of drawings (2006–2013)
  • Barry Bergdoll, chief curator of architecture and design (2007–2013)
  • Rajendra Roy, master curator of film (2007–present)
  • Ann Temkin, primary curator of painting and sculpture (2008–nowadays)[ninety]
  • Klaus Biesenbach, director of MoMA PS1 and chief curator at large (2009–2018)
  • Sabine Breitwieser, principal curator of media and performance art (2010–2013)
  • Christophe Cherix, chief curator of prints and illustrated books (2010–2013), drawings and prints (2013–present)
  • Paola Antonelli, director of research and development and senior curator of architecture and design (2012–present)
  • Quentin Bajac, chief curator of photography (2012–2018)
  • Stuart Comer, chief curator of media and performance art (2014–present)
  • Martino Stierli, primary curator of architecture and design (2015–present)

Controversy [edit]

Women Artists Visibility Result (W.A.5.E.) [edit]

On June 14, 1984 the Women Artists Visibility Event (W.A.V.E.), a demonstration of 400 women artists, was held in front of the newly renovated Museum of Mod Art to protest the lack of female person representation in its opening exhibition, "An International Survey of Recent Painting and Sculpture". The exhibition featured 165 artists; only xiv of which those were women.[91] [92]

Art repatriation problems [edit]

The MoMA has been involved in several claims initiated past families for artworks lost in the Holocaust which concluded upward in the collection of the Museum of Modern Fine art.[93]

In 2009, the heirs of German creative person George Grosz filed a lawsuit seeking restitution of three works by Grosz, and the heirs of Paul von Mendelssohn-Bartholdy filed a lawsuit enervating the render of the painting by Pablo Picasso, entitled Boy Leading a Horse (1905–1906).[94] [95] [96]

In another case, after a decade long court fight, in 2015 the MoMA returned a painting entitled Sand Hills past High german artist Ernst Ludwig Kirchner to the Fischer family unit because it had been stolen by Nazis.[97]

Strike MoMA [edit]

Strike MoMA is a 2021 motion to strike the museum targeting what its supporters have chosen the "toxic philanthropy" of the museum's leadership.[98] [99]

Run into also [edit]

  • List of museums and cultural institutions in New York Urban center
  • Listing of virtually-visited museums in the U.s.a.
  • Dorothy Canning Miller
  • Sam Hunter
  • Solomon R. Guggenheim Museum
  • Talk to Me (exhibition)
  • The Family of Man exhibit (1955)
  • WikiProject MoMA

References [edit]

Citations [edit]

  1. ^ The Art Newspaper, Listing of virtually-visited museums in 2020, March 31, 2021
  2. ^ Kleiner, Fred Southward.; Christin J. Mamiya (2005). "The Evolution of Modernist Art: The Early 20th Century". Gardner's Fine art through the Ages: The Western Perspective. Thomson Wadsworth. p. 796. ISBN978-0-4950-0478-3. Archived from the original on May 10, 2016. The Museum of Modern Art in New York Metropolis is consistently identified as the institution nigh responsible for developing modernist art ... the almost influential museum of modern art in the globe.
  3. ^ Museum of Modernistic Art – New York Art Earth Archived Feb 23, 2009, at the Wayback Motorcar
  4. ^ a b c "Library". MoMA. Archived from the original on February 5, 2016.
  5. ^ "Virtually the Archives". MoMA. Archived from the original on February 13, 2016.
  6. ^ a b The Art Newspaper annual museum company survey, published March 31, 2021
  7. ^ "The Museum of Modernistic Fine art". The Art Story. Archived from the original on March 20, 2015. Retrieved May 12, 2015.
  8. ^ a b Meecham, Pam; Julie Sheldon (2000). Modernistic Art: A Critical Introduction. Psychology Press. p. 200. ISBN978-0-415-17235-half-dozen.
  9. ^ Dilworth, Leah (2003). Acts of Possession: Collecting in America. Rutgers University Press. p. 183. ISBN978-0-8135-3272-ane.
  10. ^ Grieveson, Lee; Haidee Wasson (November 3, 2008). Inventing Pic Studies. Knuckles Academy Printing. p. 125. ISBN978-0-8223-8867-8.
  11. ^ FitzGerald, Michael (Jan 1, 1996). Making Modernism: Picasso and the Creation of the Market for Twentieth-Century Art (reprint ed.). Berkeley: Univ of Calif Press. p. 120. ISBN978-0520206533 . Retrieved July 25, 2020. Before the founding of the Museum of Modern Art in 1929, hardly any establishment in the state—and none in Manhattan—would exhibit European modernism.
  12. ^ Muir, Kathy. "Soichi Sunami". Seattle Camera Club . Retrieved December 31, 2014.
  13. ^ Smith, Roberta (September 11, 2015). "Review: Picasso, Completely Himself in 3 Dimensions". The New York Times. Archived from the original on Dec 6, 2015. Retrieved December 3, 2015.
  14. ^ Harr, John Ensor; Peter J. Johnson (1988). The Rockefeller Century: Iii Generations of America'due south Greatest Family. New York: Charles Scribner's Sons. pp. 217–18. ISBN978-0684189369.
  15. ^ Horsley, Carter B. "The Crown Building (formerly the Heckscher Edifice)". The City Review. Archived from the original on March viii, 2016. Retrieved Jan 21, 2008.
  16. ^ Kert, Bernice (1993). Abby Aldrich Rockefeller: The Adult female in the Family . New York: Random Business firm. pp. 21, 376, 386. ISBN978-0812970449.
  17. ^ Kert 1993, p. 376.
  18. ^ FirzGerald 1996, pp. 243–62. sfn fault: no target: CITEREFFirzGerald1996 (help)
  19. ^ a b Vogel, Ballad (December 8, 2007). "Two Museums Go to Court Over the Right to Picassos". The New York Times. Archived from the original on July ane, 2017.
  20. ^ "Rockefeller Guest Firm" (PDF). New York Metropolis Landmarks Preservation Committee. Dec 5, 2000. Retrieved May 1, 2021.
  21. ^ Stern, Robert A. M.; Mellins, Thomas; Fishman, David (1995). New York 1960: Architecture and Urbanism Betwixt the 2d Globe War and the Bicentennial. New York: Monacelli Press. pp. 305–306. ISBN1-885254-02-four. OCLC 32159240.
  22. ^ "Art: Beautiful Doings". Fourth dimension. May 22, 1939. Archived from the original on January 29, 2008.
  23. ^ Allen, Greg (September 2, 2010). "MOMA on Fire". the making of: movies, art, &c. Archived from the original on January 22, 2014. Retrieved July 25, 2020.
  24. ^ Holsinger, G. Paul, ed. (1999). "And Babies". State of war and American Popular Culture: A Hisstorical Encyclopedia. Greenwood Printing. p. 363. ISBN978-0313299087. Archived from the original on May 12, 2016.
  25. ^ a b Frascina, Francis (1999). Art, Politics, and Dissent: Aspects of the Art Left in Sixties America. Manchester Univ Press. pp. 175–186. ISBN978-0719044694. Archived from the original on June 10, 2016.
  26. ^ Sela, Peter Howard; Susan Landauer (Jan ix, 2006). Art of Engagement: Visual Politics in California and Beyond. Univ of California Printing. p. 46. ISBN978-0520240520. Archived from the original on June 10, 2016.
  27. ^ Allan, Kenneth R. (Dec 15, 2003). "Agreement Information". In Corris, Michael (ed.). Conceptual Fine art, Theory, Myth, and Exercise. Cambridge: Cambridge University Printing. pp. 147–148. ISBN978-0521823883.
  28. ^ "Pablo Picasso, Le Moulin de la Galette (1900)". Solomon R. Guggenheim Museum. Archived from the original on April 23, 2017.
  29. ^ Itzkoff, Dave (June 19, 2009). "Judge Rebukes Museums for Hugger-mugger Picasso Settlement". The New York Times. Archived from the original on July 9, 2017.
  30. ^ Kearney, Christine (February ii, 2009). "NY museums settle in claim of Nazi-looted Picassos". Reuters. Archived from the original on Dec 1, 2017.
  31. ^ "Guggenheim Settles Litigation and Shares Fundamental Findings" (Press release). Guggenheim Museum. March 25, 2009. Archived from the original on December 1, 2017.
  32. ^ "Museum of Modern Art Expansion". Pelli Clarke Pelli Architects. Archived from the original on January 26, 2016. Retrieved July 25, 2020.
  33. ^ Updike, John (November 15, 2004). "Invisible Cathedral". The New Yorker. Archived from the original on September 26, 2014. Retrieved December 12, 2010. Naught in the new building is obtrusive, zilch is cheap. It feels breathless with unspared expense. It has the enchantment of a banking concern later hours, of a honeycomb emptied of dearest and flooded with a soft glow.
  34. ^ Smith, Roberta (November 1, 2006). "Tate Mod'south Rightness Versus MoMA'southward Wrongs". The New York Times. Archived from the original on October fourteen, 2007. Retrieved Feb 27, 2007. The museum's big, bleak, irrevocably formal lobby atrium ... is space that the Modernistic could ill afford to waste material, and such frivolousness continues in its visitor amenities: the difficult-to-observe escalators and elevators, the too-narrow glass-sided bridges, the two-star restaurant on prime number garden real estate where in that location should be an affordable cafeteria ...Yoshio Taniguchi's MoMA is a beautiful building that evidently doesn't work.
  35. ^ Rybczynski, Witold (March 30, 2005). "Street Cred: Some other Way of Looking at the New MOMA". Slate. Archived from the original on January xx, 2012. Retrieved February 27, 2007.
  36. ^ Vogel, Carol (January 3, 2007). "MoMA to Proceeds Exhibition Space past Selling Adjacent Lot for $125 Million". The New York Times. Archived from the original on Nov 16, 2017. Retrieved November viii, 2017.
  37. ^ Taylor, Kate (May 10, 2011). "MoMA to Purchase Edifice Used by Museum of Folk Fine art". The New York Times. Archived from the original on May 27, 2011. Retrieved September 25, 2014.
  38. ^ Pogrebin, Robin (April 1, 2014). "Architects Mourn Erstwhile Folk Art Museum Building". The New York Times. Archived from the original on November ix, 2017.
  39. ^ "53W53/MoMA Belfry/Tower Verre Finally Going Upwards". citty.com. Archived from the original on May 23, 2015. Retrieved May 28, 2015.
  40. ^ Pogrebin, Robin (January 8, 2014). "A Thou Redesign of MoMA Does Not Spare a Notable Neighbor". The New York Times. Archived from the original on July ix, 2014. Retrieved September 29, 2014.
  41. ^ a b c d due east "MoMA expanding its Manhattan space, view of NYC outdoors". WTOP News. Associated Press. June two, 2017. Archived from the original on January 15, 2018. Retrieved January 16, 2018.
  42. ^ a b Pogrebin, Robin (June 1, 2017). "MoMA's Makeover Rethinks the Presentation of Art". The New York Times. Archived from the original on November 9, 2017. Retrieved November viii, 2017.
  43. ^ Gannon, Devin (May 1, 2017). "MoMA reveals final design for $400M expansion". 6sqft. Archived from the original on January 16, 2018. Retrieved January 16, 2018.
  44. ^ a b Pogrebin, Robin (Feb 5, 2019). "MoMA to Close, So Open Doors to More than Expansive View of Art". The New York Times. ISSN 0362-4331. Retrieved Feb 21, 2019.
  45. ^ Hines, Morgan (October sixteen, 2019). "'A new MoMA': New York'due south Museum of Modern Fine art reopening after $450 1000000 expansion". USA Today . Retrieved November xviii, 2019.
  46. ^ Paybarah, Azi (October 21, 2019). "MoMA Reopening: Everything Yous Need to Know". The New York Times. ISSN 0362-4331. Retrieved November 18, 2019.
  47. ^ "MoMA reopens with a $450 1000000 mega-expansion and slick renovation". The Builder'southward Newspaper. October 16, 2019. Retrieved November xviii, 2019.
  48. ^ Walsh, Niall Patrick (Feb 6, 2019). "MoMA Releases Opening Date and New Images of Major Diller Scofidio + Renfro Expansion". ArchDaily . Retrieved January 20, 2020.
  49. ^ Play tricks, Alex (April fourteen, 2020). "The Museum of Modern Fine art Now Offers Costless Online Classes". Smithsonian . Retrieved July 25, 2020.
  50. ^ Denzer, Anthony (2008). Gregory Own: The Modernistic Home as Social Commentary. Rizzoli Publications. ISBN978-0-8478-3062-6. Archived from the original on June 17, 2008. Retrieved May 24, 2008.
  51. ^ "MoMA Announces Pick of Five Architects to Display Prefabricated Homes Outside Museum in Summer 2008" (PDF). moma.org.
  52. ^ "Home Delivery: Frabricating the Modern Dwelling". moma.org.
  53. ^ Pogrebin, Robin (January eight, 2008). "Is Prefab Fab? MoMA Plans a Prove". The New York Times. Archived from the original on September 26, 2014. Retrieved May 24, 2008.
  54. ^ McDonald, Boyd; William East. Jones (2015). Cruising the Movies: A Sexual Guide to Oldies on Telly. South Pasadena, Calif: Semiotext(e). p. 31. ISBN978-1584351719.
  55. ^ "Todd Webb, 94, Peripatetic Lensman". The New York Times. April 22, 2000. Archived from the original on Apr 3, 2012. Retrieved October x, 2010.
  56. ^ a b Smith, Roberta (Oct 12, 1991). "Peter Galassi Is Modern'due south Photo Director". The New York Times. Archived from the original on Nov 19, 2010. Retrieved September 25, 2014.
  57. ^ "History of MoMA Motion-picture show Collection". MoMA. Archived from the original on October 12, 2012. Retrieved October thirteen, 2012.
  58. ^ The Museum of Modern Art, New York, Harry N. Abrams, Incorporated, New York, 1997, p. 527[ full commendation needed ]
  59. ^ a b "Library Collection FAQ". MoMA. Archived from the original on Nov iv, 2015.
  60. ^ "Arcade". New York Art Resources Consortium . Retrieved July 25, 2020.
  61. ^ a b Broome, Beth (November iv, 2011). "A Landmark Acquisition for MoMA's Compages and Design Section". Architectural Record. Archived from the original on September vii, 2015.
  62. ^ a b Compages and Pattern Archived March iv, 2016, at the Wayback Car, MoMA, retrieved November xxx, 2011
  63. ^ "Philip Johnson Papers in The Museum of Modern Art Archives, 1995". Archived March 4, 2016, at the Wayback Motorcar MoMA.
  64. ^ "Exhibition Records 1980–1989 in The Museum of Modern Art Archives", MoMA. 2016.
  65. ^ Medina, Samuel (Jan 24, 2014). "Frank Lloyd Wright Exhibition Set up to Open at MoMA". Metropolis. Archived from the original on March iii, 2016.
  66. ^ Sullivan, Robert. "Urban Design: Frank Lloyd Wright's Archives on View at MoMA". Vogue. Archived from the original on March 3, 2016.
  67. ^ "Exhibitions: Frank Lloyd Wright and the Metropolis: Density vs. Dispersal". MoMA. Archived from the original on October 5, 2015.
  68. ^ "Frank Lloyd Wright". MoMA . Retrieved July 25, 2020.
  69. ^ Antonelli, Paola (Nov 29, 2012). "Video Games: 14 in the Drove, for Starters". MoMA. Archived from the original on November 30, 2012. Retrieved Nov 30, 2012.
  70. ^ Orden, Erica (June 29, 2010). "MoMA Omnipresence Hits Record High". The Wall Street Journal. ISSN 0099-9660. Archived from the original on July 10, 2017. Retrieved June 25, 2020.
  71. ^ Boroff, Philip (January 12, 2012). "MoMA Visitors Fall, Met Museum's Rise, Led by Blockbusters". Bloomberg News. Archived from the original on January xi, 2015.
  72. ^ "Visitor figures 2016: Christo helps 1.two meg people to walk on water". The Art Paper. Archived from the original on December 23, 2017. Retrieved December 22, 2017.
  73. ^ Vogel, Carol (September 25, 2012). "MoMA Plans to Be Open Every Day". The New York Times. ISSN 0362-4331. Archived from the original on Nov nineteen, 2016. Retrieved June 25, 2020.
  74. ^ "Locations, hours, and admission". MoMA . Retrieved December 8, 2018.
  75. ^ "Discounts". MoMA. June 26, 2016. Retrieved December 8, 2018.
  76. ^ a b Boroff, Philip (Baronial ten, 2009). "Museum of Mod Art'due south Lowry Earned $i.32 Meg in 2008–2009". Bloomberg News. Archived from the original on Oct 16, 2012.
  77. ^ a b Cohen, Arianne (May 1, 2007). "A Museum". New York. Archived from the original on March 5, 2016. Retrieved June 25, 2020.
  78. ^ Vogel, Ballad (April 13, 2005). "MoMA to Receive Its Largest Greenbacks Souvenir". The New York Times. ISSN 0362-4331. Archived from the original on September 26, 2013. Retrieved June 25, 2020.
  79. ^ Kazakina, Katya (April 11, 2012). "Southward&P Raises Museum of Mod Art'due south Debt Rating on Direction". Bloomberg News. Archived from the original on January 11, 2015.
  80. ^ Pogrebin, Robin (July 22, 2013). "Qatari Riches Are Ownership Fine art Earth Influence". The New York Times. ISSN 0362-4331. Retrieved June 25, 2020.
  81. ^ a b Eakin, Hugh (November seven, 2004). "MoMA's Funding: A Very Modern Art, Indeed". The New York Times. ISSN 0362-4331. Archived from the original on May 28, 2015. Retrieved June 25, 2020.
  82. ^ Boroff, Philip (August ane, 2011). "MoMA Raises Access to $25, Paid Manager Lowry $1.half dozen One thousand thousand". Bloomberg News. Archived from the original on January 11, 2015.
  83. ^ Flynn, Kevin; Strom, Stephanie (August 9, 2010). "Plum Do good to Cultural Post: Tax-Free Housing". The New York Times. ISSN 0362-4331. Archived from the original on April 14, 2017. Retrieved June 25, 2020.
  84. ^ a b Kamp, Justin (May 7, 2020). "Museum of Modern Art Slashes Budget and Staff to Conditions COVID-19". Artsy . Retrieved June 25, 2020.
  85. ^ McCarthy, Kelly (April half dozen, 2020). "Coronavirus exposes vulnerability of NYC museums and museum workers". ABC News . Retrieved June 25, 2020.
  86. ^ Cohen, Patricia (November 28, 2012). "MoMA Gains Treasure That Met Also Coveted". The New York Times. ISSN 0362-4331. Archived from the original on November 28, 2012. Retrieved June 25, 2020.
  87. ^ "Promoted to Managing director Of Mod Fine art Museum". The New York Times. Archived from the original on July nineteen, 2014.
  88. ^ "A.H. Barr Jr. Retires at Modern Museum; Managing director Since 1929 to Devote His Full Time to Writing on Fine art". The New York Times. October 28, 1943. Archived from the original on July 22, 2014.
  89. ^ Peces, Juan (February 12, 2018). "The definitive Brassaï show, curated past ex-MoMA star Peter Galassi". British Journal of Photography . Retrieved July 25, 2020.
  90. ^ Smith, Jennifer (March 23, 2016). "MoMA Serves Upwards a New '60s Mix". The Wall Street Journal . Retrieved June 26, 2020.
  91. ^ Lubell, Ellen (June 19, 1984). ""Women March on MOMA"". The Village Voice.
  92. ^ Shepard, Joan (June xv, 1984). ""Women Artists Picket MOMA"". New York Daily News.
  93. ^ "Practise We Need to Send 'Monuments Men' to MoMA?". world wide web.lootedart.com. Archived from the original on August 17, 2016. Retrieved January 9, 2021.
  94. ^ "New evidence in Grosz Nazi loot example against MoMA | The Art Paper". December 17, 2020. Archived from the original on December 17, 2020. Retrieved January nine, 2021.
  95. ^ "Schoeps v. Museum of Modernistic Art, 594 F. Supp. second 461 – CourtListener.com". CourtListener . Retrieved January 9, 2021.
  96. ^ "Haunting MoMA: The Forgotten Story of 'Degenerate' Dealer Alfred Flechtheim". www.lootedart.com . Retrieved January ix, 2021.
  97. ^ "New York museum returns painting stolen by Nazis afterwards decade-long battle". world wide web.lootedart.com . Retrieved January 9, 2021.
  98. ^ Pocket-size, Zachary (May i, 2021). "MoMA Blocks Protesters Who Planned to Demonstrate Within". The New York Times. ISSN 0362-4331. Archived from the original on December 28, 2021. Retrieved June 13, 2021.
  99. ^ "Activists' Plan to Bring a March Against Toxic Philanthropy Inside MoMA Ended in Conflicting Accounts of Violence". Artnet News. May 3, 2021. Retrieved June 13, 2021.

Sources [edit]

  • Allan, Kenneth R. "Agreement Information", in Conceptual Fine art: Theory, Myth, and Practise. Ed. Michael Corris. Cambridge: Cambridge University Press, 2004. pp. 144–168.
  • Barr, Alfred H; Sandler, Irving; Newman, Amy (Jan 1, 1986). Defining modern art: selected writings of Alfred H. Barr, Jr . New York: Abrams. ISBN0810907151.
  • Bee, Harriet S. and Michelle Elligott. Fine art in Our Fourth dimension. A Chronicle of the Museum of Modern Fine art, New York 2004, ISBN 0-87070-001-iv.
  • Fitzgerald, Michael C. Making Modernism: Picasso and the Creation of the Market place for Twentieth-Century Art. New York: Farrar, Straus and Giroux, 1995.
  • Geiger, Stephan. The Art of Aggregation. The Museum of Modern Art, 1961. Die neue Realität der Kunst in den frühen sechziger Jahren, (Diss. University Bonn 2005), München 2008, ISBN 978-3-88960-098-1.
  • Harr, John Ensor and Peter J. Johnson. The Rockefeller Century: 3 Generations of America's Greatest Family. New York: Charles Scribner'south Sons, 1988.
  • Kert, Bernice. Abby Aldrich Rockefeller: The Adult female in the Family. New York: Random House, 1993.
  • Lynes, Russell, Skillful One-time Modern: An Intimate Portrait of the Museum of Modern Art, New York: Athenaeum, 1973.
  • Reich, Cary. The Life of Nelson A. Rockefeller: Worlds to Conquer 1908–1958. New York: Doubleday, 1996.
  • Rockefeller, David (2003). Memoirs. New York: Random Business firm. ISBN978-0812969733.
  • Schulze, Franz (June 15, 1996). Philip Johnson: Life and Work. Chicago: University Of Chicago Printing. ISBN978-0226740584.
  • Staniszewski, Mary Anne (1998). The Power of Display. A History of Exhibition Installations at the Museum of Modern Art. MIT Press. ISBN978-0262194020.
  • Wilson, Kristina (2009). The Modern Middle: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934. New Haven: Yale Academy Press. ISBN978-0300149166.
  • Lowry, Glenn D. (2009). The Museum of Modern Art in this Century. Museum of Modern Art. ISBN978-0870707643.

External links [edit]

  • Official website
  • MoMA Exhibition History Listing (1929–Nowadays)
  • MoMA Audio
  • MoMA's YouTube Channel
  • MoMA's free online courses on Coursera
  • MoMA Learning
  • MoMA Magazine
  • Jeffers, Wendy (November 2004). "Abby Aldrich Rockefeller Patron of the modern". Magazine Antiques. 166 (55): 118. 14873617. Archived from the original on February half-dozen, 2016. Retrieved January 28, 2016 – via EBSCOhost.
  • " MoMA to Close, Then Open Doors to a More Expansive View of Art" New York Times, 2019

bowmansaund1960.blogspot.com

Source: https://en.wikipedia.org/wiki/Museum_of_Modern_Art

Post a Comment for "Opening Night State of the Art Art of the State Cameron Art Museum 2017"